Culture Vulture
I don’t share Rebecca Mead’s awe for “Middlemarch,” but I share her enthusiasm for stretching the envelope of memoir.
So is the book worth reading? Depends how interested you are in twentieth century cultural history, in music and creative genius, in marriage and sexuality.
Oh God meets all of Guy Ben-Aharon’s criteria for Israeli Stage.
There are hundreds of studies to be analyzed and many experts who could have been interviewed in depth, but both authors have chosen to write breezy books that can be characterized as “journalism-lite.”
The Lenox Library’s annual book sale – drawing on the discards of the area’s writers, teachers, performers, psychotherapists and culture-obsessed summer-residences — is considered one of the best on the East Coast.
Staged readings are a win-win situation for everyone concerned.
This production of “Pygmalion” is also a case study in how an accomplished director –- former Huntington Theatre Company director Nicholas Martin – weaves every part of his team into a seamless whole.
The Williamstown Theatre Festival production of G.B. Shaw’s 100-year-old classic, “Pygmalion” – which only plays nine more performances – delivers an evening of superb theater on all levels.
To my ears, the Boston Symphony Orchestra—supplemented by saxophones, guitar, and mandolin—sounded overblown and unbalanced, oddly tinny at times (perhaps because of the amplification), glorious at others.
It was an unexpected pleasure to stumble onto this one-hour, one-woman show, which explores a fascinating episode in Japanese-American history.
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