Christopher Caggiano
In Broadway revivals, Topdog/Underdog is absolutely riveting, while Death of a Salesman feels forced and unconvincing.
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Two dark comedies explore American and British subcultures far below the line of decency.
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Pulitzer Prize-winner Tracy Letts’s new Broadway play features an intriguing premise and a shocking denouement.
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The late Terrence McNally was more than just a masterful playwright. He also forged new roads in musical theater.
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The main problem with Gloria is its expository storytelling. Events are mostly announced and described rather than recreated.
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Our theater critics pick some of the outstanding productions of the year.
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Dave Malloy’s musical version of Moby-Dick shows promise, but he needs to trim plenty of blubber.
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Tony Kushner attempts a re-write of his first professional play. The results are decidedly mixed.
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Come From Away is more than just a rousing and heart-warming 100 minutes of theatrical entertainment. It’s a poignant reminder, and celebration, of what we’re all capable of as people.
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Arts Remembrance: Stephen Sondheim – Musical Theater Mourns the Passing of a Giant
Stephen Sondheim was the most influential musical-theater artist of the modern era. His death leaves a permanent hole in the art form and in the hearts of his fans.
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