Chris Thile
From Tom Morello’s searing set to CMAT’s breakout turn and Dave Matthews’ final-set detour, the festival kept its focus on music that opened outward rather than looking back.
Folk On both exceeded and tempered expectations.
J.S. Bach has been subjected to every imaginable kind of transcription, but the combination of mandolin, bass, and cello is probably new.
The wizards of mandolin and jazz piano were in perfect sync, blending styles and breaking barriers.
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