A pair of beauties: an Eric Revis quintet album and a solo excursion from Chick Corea.
His beautiful sound is undimmed by time, his sensitivity to nuance is intact, and his choice of virtuoso partners was a delight.
This year I resolved to do an unapologetic fan experience at Newport Jazz.
What I’ve learned from three years of research and listening is that the piano concerto is an ideal vehicle with which individual composers can experiment
Given that these two virtuoso pianists were in a jubilant, hometown mood, this was a concert that could hardly fail to please.
According to Chick Corea, this recording contains first impressions of the compositions that he’ll be playing with his band on upcoming tours. It’ll be interesting to hear how these tunes and this group develops.
Chick Corea and Gary Burton were celebrating their recent disc, “Hot House,” which they said was meant to recall the sixties, when the two were starting their careers. But the sixties were never quite like this.
Like other great artists –- Martha Argerich and Steve Lacy come to mind right away — pianist Kirill Gerstein approaches every note with a sense of how important that note is in relation to every one that has come before and every one that is to come after.
When the jazz composer is the soloist, which is usually the case, he or she ironically revives one of the most venerable traditions in classical music.
Chick Corea’s “The Continents: Concerto for Jazz Quintet and Chamber Orchestra” is filled with tuneful melody, shows off some superb playing by the soloists, breaks new ground in a number of ways, and achieves nearly all of its ambitions.