I’ve always believed that dance has a literature, much like music or drama. Dance’s literature consists of both ideas (choreography) and the execution of ideas (performance).
The charmed trifecta of John Adams, Yuja Wang, and Gustavo Dudamel produced a hit, at least to this Boston audience.
I’ve compiled a list of twelve concerts (or concert series) that I think will stand among the future season’s highlights.
A bit surprising — that two megastars choose such meat and potatoes repertoire.
Monica Bill Barnes, a dancer-choreographer, mime, storyteller and soft satirist, has riffed in the past on the pitfalls of dancing, the vanity of performers, the absurdities of adolescence. Now she’s looking at gender displacements and assertions.
The seven-man musical wrecking squad from Austria called Mnozil Brass has created a combination circus band, village band, marching band, and vaudeville orchestra.
Mark Morris and Ethan Iverson chose songs from the famous album for reflection and extrapolation. What they made is an entertainment, a romp for the company’s terrific dancers.
John Heginbotham may be making modern dance but he gives us the gift of classicism: discovery within form.
The show had an undercurrent that brought to the fore all the issues that have put Wynton Marsalis at the center of the culture wars.
Despite its grand intentions, Atomos is essentially an abstract work that springs from Wayne McGregor’s obvious passion for full-throttle movement.