Boston Baroque
The Boston Baroque served up a lithe and vital performance of the Messiah that felt rich, personal, and gloriously lived in.
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Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
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By Aaron Keebaugh Lithe and economical, Boston Baroque’s superb production of Iphigénie en Tauride proved the old adage that less can be more. Iphigénie en Tauride, an opera in four acts. Libretto by Nicolas-François Guillard. Music by Christoph Willibald Gluck. Performed by Boston Baroque. Martin Pearlman, conductor. Mo Zhou, stage director. At GBH’s Calderwood Studio,…
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Music Director Martin Pearlman had the excellent idea to cut out 6 of the 24 arias to make Jephtha move along, and it paid off.
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Performing Arts Series: Stories of Surviving COVID-19 — Boston Baroque
“At Boston Baroque, as we look to the future, we take comfort in knowing that redefining ourselves is in our organization’s DNA.”
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