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Introduced by gigantic moving set-pieces and robots with prison searchlights for eyes, Bolt often looks like poster art.
Read MoreThe Commonwealth Shakespeare Company’s production of “The Two Gentlemen of Verona” is spunky and engaging — but the play is spun in one direction, away from its weird edginess.
Read MoreI asked Davis Robinson, artistic director of the Beau Jest Moving Theatre, to share his thoughts on the 100th anniversary (March 26th) of the birth of playwright Tennessee Williams.
Read MoreAt their best, the exhibitions at the restored, renovated, and expanded Cooper-Hewitt Museum explore the history and culture of design and decorative arts with transcendent panache.
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The music Nick Waterhouse performs (almost all of which he writes) is consistently retro—not to mention relentlessly danceable and fun.
Read MoreGish Jen’s novel about New England small-town life in the new millennium, “World and Town,” has just come out in a paperback. We greeted the hardback edition of the book with a Judicial Review, a fresh approach to creating a conversational, critical space about the arts. It is a good time to highlight the innovative approach again. The aim is to combine editorial integrity with the community—making power of interactivity.
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“Vinyl is special because it makes the music less disposable, it makes listening a little less convenient. There is something tactile for people to hold and look at, an object to cherish.”
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One of the great strengths of this Dune is that it humanizes its protagonists. They are detailed human characters, which makes their assuming the mask of the White Savior all the more troubling.
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Arts Commentary: WBUR’s Clogged “ARTery”
Every organization in the Barr Foundation’s charmed circle — large arts groups and The ARTery — have a financial stake in reinforcing the belief that the Barr’s money is being put to supremely successful use.
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