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In its program, the A.R.T. links today’s 1% with the French aristocracy, a stab at relevance that does both the snobby thugs of the French Revolution and the super well-off of today a disservice. Say what you will about the 1%, but they aren’t stupid.
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It is serendipitous that James Ehnes added Brahms’ two viola sonatas to his repertoire; Patrick Messina, Lise Berthaud, and Fabrizio Chiovetta’s new recording of Bruch’s “8 Pieces for Clarinet, Viola, and Piano” serves the piece admirably.
Read MoreMozart wrote some wonderful music in Idomeneo for his wind players, who were up to the task under the capable baton of David Angus. Reviewed By Caldwell Titcomb Turning out an enormous amount of music in a host of genres during his short life (1756–91), Mozart felt that opera was his most important task. It…
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“Library Lion,” wonderfully staged by Adam Theater, marks the arrival of a new and welcome addition to the Boston theater scene.
Read MoreThe Attack is a movie that tries to get to the core of violence without dissolving into its depiction.
Read More“There comes a decision-making process where some of the jokes, I’m like, I’m glad I never have to tell that one again.”
Read MoreNational Theatre director Bijan Sheibani chose artistry of movement, beautiful as it is, over the battering belittlement of really hard, unappreciated work, the facts of sweat and stupor.
Read MoreStealing All Transmissions is slim, but nearly every page is filled with insight and originality.
Read MoreWho has taken criticism out of the hands of the “true critics”? Is someone making me read rancid Amazon reader reviews? Where do we look for the “true critics”?
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Theater Commentary: January 6 — What About the Children?
Despite a seven-year record of artistic, social, educational, and organizational success, Junior Programs has, until now, been a forgotten chapter in the history of America’s children’s theater. And we desperately need to remember that chapter now.
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