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Here’s a trio of organ trios from a new generation of players indebted, but not chained, to the classic jazz format and style that has been dominant since Jimmy Smith in the ’60s.
Read MoreEcho’s Bones is a fascinating immersion, somewhat inept in its means, but sincere and gravely serious, in a subject that Samuel Beckett made increasingly his own.
Read MoreWhether you’re a Jungian or a Freudian, think Jung was a genius or charlatan, or even if you’re someone who’s never given much thought to psychotherapy, the exhibition on the “The Red Book” at New York City’s Rubin Museum of Art (which runs through February 15) is worth a visit. THE RED BOOK by C.G.…
Read MoreThe tall multi-paned windows at Clink. look on to fall colors or the night, the river outside. The style is inviting, informal, and the food is elegant, the taste as good as it gets. Let’s clink to that. By Sally Steinberg Where in America is there a Filipino chef using Spanish arrope (candied pumpkin, for…
Read MoreIt wasn’t until 2009 that a trove of Florence B. Price scores was discovered in a dilapidated house in down-state Illinois and a revival of interest in this most remarkable of composers began in earnest.
Read MoreArts Fuse critics select the best in theater, visual arts, film, music, author events, and dance for the coming week.
Read MoreA rundown of three narrative programs and one documentary program. We just might see these directors’ names on future IFFBoston features.
Read MoreWhile it’s too soon to call it timeless, the vitality in Philip Guston’s art has proved durable. But the structure around it – the “art world” in its blinkered, stultified form, institutional and academic in the worst senses of those words – has died and encased it.
Read MoreWith concerts all but wiped off the calendar by the pandemic, our critics naturally spent their time with recordings (and virtual live shows).
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Arts Commentary: Remembering the Culture Wars of the ’90s
Freedom of expression is a more precious commodity than taste. Conservative critics were very clear about their moral imperative; they confidently vilified artists and terrorized institutions. No one won the culture wars — we lost them.
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