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Concert Review: The Bard in Boston, Part 3

February 16, 2016
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The BSO’s Shakespeare festival has proven to be the most satisfying extended endeavor yet of Andris Nelsons’ directorship.

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Theater Commentary: Trump, Julius Caesar, and Political Farce

June 19, 2017
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If the ballyhoo around the Public Theater’s Julius Caesar is a sign of the times, then we have a lot more than Trump to fear.

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Coming Attractions: November 6 through 22 — What Will Light Your Fire

November 6, 2022
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As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.

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Fuse Coming Attractions: What Will Light Your Fire This Week

June 7, 2015
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Arts Fuse critics select the best in film, theater, music, dance, visual arts, and author events for the coming week.

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Book Review: How California Appropriated Hawaiian Beach Culture

June 20, 2024
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California beach culture didn’t spring full blown from the ocean riding a longboard, but the closest you will come to a founding figure is the legendary native Hawaiian Duke Kahanamoku.

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Opera Review: Conductor Frieder Bernius Continues to Strike Gold with “Der Taucher”

January 6, 2025
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Any opera lover will find much to admire and enjoy in this work, based on a famous 27-strophe poem by Friedrich Schiller that Schubert set in its entirety to music.

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Author Interview: Stuart Murdoch of Belle and Sebastian on His First Novel, “Nobody’s Empire”

January 27, 2025
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With 12 studio albums and myriad EPs to his band’s credit, Stuart Murdoch can now boast, not that he’s the type to do so, of being a published novelist.

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Music Interview: Chatting With Squeeze’s Glenn Tilbrook

October 1, 2022
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“I remember playing the Rathskeller. I think that was the second gig we had in the US. I remember what a dive that was. I remember how really exciting it was to be there. Just the promise, the potential.”

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Theater Commentary/Review: A Not So Dumb “Month in The Country”

August 10, 2012
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Given the Russian writer’s modernist pedigree, should director/playwright Richard Nelson and translators Richard Pevear and Larissa Volokhonsky be punished for putting some “unevenesses” into their staging of Turgenev’s finest play, “A Month in the Country”? I think not.

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Book Review: A Documentary Biography of Irving Berlin

July 18, 2012
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Irving Berlin fans will be pleased to see such items as the complete Jerome Kern letter, (written in 1925!) in which Kern writes: “Irving Berlin has no place in American music. HE IS AMERICAN MUSIC.”

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