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The BSO’s Shakespeare festival has proven to be the most satisfying extended endeavor yet of Andris Nelsons’ directorship.
Read MoreAs the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
Read MoreArts Fuse critics select the best in film, theater, music, dance, visual arts, and author events for the coming week.
Read MoreCalifornia beach culture didn’t spring full blown from the ocean riding a longboard, but the closest you will come to a founding figure is the legendary native Hawaiian Duke Kahanamoku.
Read MoreAny opera lover will find much to admire and enjoy in this work, based on a famous 27-strophe poem by Friedrich Schiller that Schubert set in its entirety to music.
Read MoreWith 12 studio albums and myriad EPs to his band’s credit, Stuart Murdoch can now boast, not that he’s the type to do so, of being a published novelist.
Read More“I remember playing the Rathskeller. I think that was the second gig we had in the US. I remember what a dive that was. I remember how really exciting it was to be there. Just the promise, the potential.”
Read MoreGiven the Russian writer’s modernist pedigree, should director/playwright Richard Nelson and translators Richard Pevear and Larissa Volokhonsky be punished for putting some “unevenesses” into their staging of Turgenev’s finest play, “A Month in the Country”? I think not.
Read MoreIrving Berlin fans will be pleased to see such items as the complete Jerome Kern letter, (written in 1925!) in which Kern writes: “Irving Berlin has no place in American music. HE IS AMERICAN MUSIC.”
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Theater Commentary: Trump, Julius Caesar, and Political Farce
If the ballyhoo around the Public Theater’s Julius Caesar is a sign of the times, then we have a lot more than Trump to fear.
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