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Visual Arts Review: “City Of Work” — A Satirically Dystopic Vision of The Daily Grind

January 21, 2013
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Artist Michael Lewy’s comprehensive, clever and surprisingly humorous take on an imaginary experimental settlement explores the ramifications of having human potential promptly assessed and harnessed for work, and work alone.

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Theater Interview: “Moonlight Abolitionists” — Graveyard Shift

September 11, 2021
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“In these plays, part of my job is to unflatten history in a way that’s engaging, and also shows us that it’s okay for us to feel overwhelmed and confused and scared by the world — that we’re not so different from the people who came before us. They got through it, and we will, too.”

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Film Review: “The Life of Chuck” — More Schmaltz Than Substance

June 2, 2025
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The problem with “The Life of Chuck” isn’t that it’s bad, per se, but it’s nowhere near great, and that’s a waste of a lot of talent and potential. Imagine Terrence Malick’s “Tree of Life” turned into a made-for-TV after-schoolspecial.

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Book Review: “The Golden House” — More Surreal by the Minute

December 10, 2017
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The Golden family comes by its wealth, and accrues its menacing enemies, via long and labyrinthine subplots that are hard to follow.

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Book Review: “Rocking the Closet” — Queering the Mainstream

January 6, 2020
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Audiences knew (or at least thought they knew) something was up, and that something was what made these performers unique.

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Book Review: “We Have Never Been Woke” — Privileged Sleepers

October 4, 2024
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Musa Al-Gharbi’s provocative book undercuts the left elite by pointing out the hypocrisy of its well intentioned rhetoric. The “woke” live comfortable lives because of the very inequities they condemn.

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Cultural Commentary — Northrop Frye at 100

July 14, 2012
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Northrop Frye, inspired by the poet William Blake, demands that the critic be a warrior in a “mental fight,” articulating the liberating value of literature as a source of imaginative energy that generates possibilities.

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Classical Music Review: Perahia Perdures

March 30, 2009
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By Caldwell Titcomb Murray Perahia is the greatest living pianist – and you can take that to the bank. In 1974 I went to Boston’s Jordan Hall to hear a recital by the famous British tenor Peter Pears (1910-86), who would be knighted four years later. At the end of the concert it was clear…

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Arts Commentary: Big Art — Big Greed

March 26, 2020
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Members of anti-arts Right are incensed by the stimulus funding going to Washington D.C.’s Kennedy Center for the Arts. And they’re right.

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Visual Arts Review: “America’s Past-time” — Are We Having Fun Yet?

February 18, 2022
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The strength of Robert Freeman’s Black figures, even as they endure humiliation or violence, remains a prominent element in his vision.

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