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Rich as the material is, can any Blood Artist develop and mature by just seeing red?
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All three episodes have intriguing storylines, with plenty of human pathos and drama: but I admit to finding the first and third episodes a bit too digitally-focused for my taste.
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“I’ve been beaten. I know what that’s like. They say, who has been a nail, can learn to be a hammer.”
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Pakistani-born artist Huma Bhabha is still very much at the edge of edgy; Georgia O’Keeffe much less so.
Read MoreNaomi Klein argues that the more anxious we are, the more vulnerable we are to politically opportunistic manipulation.
Read MoreDirector Terence Davies read four biographies of Emily Dickinson; the details of her life he remembered became the basis for his screenplay.
Read MoreWhile The Vaccines Come of Age is a very good album, I can’t listen to it without thinking that maybe the band grew up a little too fast.
Read MoreWhat is a Judicial Review? It is a fresh approach to creating a conversational, critical space about the arts. The aim is to combine editorial integrity with the community-making power of interactivity. This is our first session. Review by Ian Thal Review by Timothy Longman Review by Peter Cohen Artist response by Shawn LaCount Summary…
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The life of a working musician is not a second-class life, and Mimi Rabson’s is Exhibit A: “I try to get past the limits of the definitions and get to the joy.”
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This version of the script may be overreaching, but there is promise in M Sloth Levine’s attempt to infuse gender and personal soul-searching into a spooky ‘cartoon’ mystery.
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Arts Commentary & CD Reviews: On The Kennedy Center, Ben Folds, & Gustav Mahler