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“Leopoldstadt” is one of Tom Stoppard’s most heartfelt and expansive works, its poignant storyline inspired by events in his own life.
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A hero of his times: celebrating Latvian pioneering documentarian Juris Podnieks.
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Steeped in technology, non-traditional public art is about sparking conversations about visuals as well as playing with contemporary aesthetic perspectives.
Read MoreMusic Review: “Someone/Anyone? A 50th Anniversary Tribute to Todd Rundgren’s Something/Anything?”
Someone/Anyone? is packed with lots of great music and makes a strong complement to the album it compliments, Something/Anything?
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Are visitors supposed to feel some sort of guilty pleasure if they find Mary Ann Unger’s Across the Bering Strait powerfully mesmeric?
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Charli packages existential angst and heartache in sly, self aware pop performances that manage to deftly fuse self-conscious artificiality with earnest passion.
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Never mind the faint of heart, Mimi Cave’s first feature isn’t for people with weak stomachs.
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Peter L’Official has written an important book that speaks with powerful relevance to the state of Black life in America today — and the demands of Black Lives Matter.
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Music in Eight Parts is a welcome and inviting addition to the Philip Glass canon; the Summer of Thomas Adès continues with a stirring new recording of the British composer’s keyboard work; Anna Clyne’s Dance is, without a doubt, one of the finest pieces I’ve heard this year.
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It is an apt time to honor these pioneers: to recognize that we are here, and have always been here, making compelling art from under the shadow of oppression.
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Arts Commentary & CD Reviews: On The Kennedy Center, Ben Folds, & Gustav Mahler