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Three reviews of new classical music CDs: one is inviting, another lively, and the last could use more intensity.
Read MoreBetween the heroin, booze, and all else that Mexico had to offer, there was little to no time for William S. Burroughs to appreciate the culture of his adopted home.
Read MoreActors’ Shakespeare Project’s production is a fine start to the company’s tenth aniversary season and an impressive realization of its founding mission statement — for this company, story and the actor’s craft trump directorial conceits.
Read MoreWhy did Patton Oswalt submit himself, for a time, to drowning in movies? I never quite understood that..
Read MoreIt’s the wild mind of puppeteer Paul Zaloom that’s really on display here.
Read MoreToday’s Broadway is at its best presenting blockbuster spectacles like Wolf Hall and An American in Paris.
Read MoreThe opportunity to hear Leoš Janáček’s magnificent score live ultimately trumps any reservations I have about the production as a whole.
Read MoreASP director Bridgette Kathleen O’Leary chooses a nuanced approach to Othello that hews closely to the text.
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The story’s surprising degree of feeling for Joaquin Phoenix ‘s Joe saves “Eddington” from simply serving as fodder for overheated social media discourse and crusading op-eds.
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Mass in D was Ethel Smyth’s first large-scale score and, according to Cappella Clausura conductor Amelia LeClair, the composition expressed her yearning for hope and redemption.
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Holiday Commentary: Making Room for the Stranger