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Ádám Fischer’s reading of Mahler’s Eighth Symphony is breathtakingly clean.
Read MoreA collection that provides a fascinating bit of context for how Andris Nelsons has developed as a conductor over the last decade-plus, and an honest, mostly flattering, tribute to a much-loved conductor, the late Mariss Jansons.
Read MoreOpen Mike Eagle may have written this album for himself, but many others will recognize themselves somewhere in his words and in his pain.
Read MoreA review of the 60th anniversary reissue of Frank Sinatra’s album Nice ‘n’ Easy. Though not without a few rounds with the Sinatra mythology — not the complicated man, but his music.
Read MoreNancy is mystifying, but in this case the inexplicable has its fascinations.
Read MoreWilliam Peter Blatty may have created a comparatively small body of work, but he played a major role in the evolution of American horror.
Read MoreWhile calling this Ben Wheatley’s most violent film may be debatable, Free Fire is absolutely the one most riddled with gunshots.
Read MoreLike going to Mecca, shouldn’t every committed cinephile get to the Carthage Film Festival once in a lifetime?
Read MoreI was looking forward to “XX” because it was horror, it was an anthology, and because all four pieces were directed by women.
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Holiday Commentary: Making Room for the Stranger