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Electronic Art Pop Album Review: FKA twigs’ “Caprisongs” — Hypnotic Mixtape

January 31, 2022
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The format may be different, but FKA twigs remains as hypnotic as ever on her album Caprisongs.

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Television/Theater Review: “Ma Rainey’s Black Bottom” — Listening to the Lessons of the Blues

December 10, 2020
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Ma Rainey’s Black Bottom is a stellar artistic accomplishment, a blazingly powerful dramatic experience.

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Television Review: “Ozark” — Nowhere to Go But Down

May 18, 2022
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Ozark supplied some vital, if depressing insights, about what liberal Americans really value: money and power, rather than what they say they treasure, family and equality. The catch is that this is no longer news.

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Film Review: “No Time to Die” — A Miraculous Bond Redux

October 3, 2021
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No Time to Die could only be a product of the Trump era.

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Theater Review: “Reparations” — A Message Well Delivered

September 7, 2021
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As the play ends, all four characters have a clear understanding of their marching orders. But will they — or we — act on them?

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Theater Review: “AntigonX” — Sophocles Newly Envisioned, Splendidly

April 6, 2022
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AntigonX shows how a theater company’s admirable dedication to innovation lifts new voices and ideas.

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Theater Review: “Everyday Life and Other Odds and Ends” — “This Whole Going Downhill Thing”

March 22, 2022
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Everyday Life and Other Odds and Ends is admirable because it takes contemporary theater into fresh territory — the slow paralysis of the body and the demands this decline makes on caregivers.

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Book Review: “Hollywood Babylon II” Revisited

August 10, 2020
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Hollywood Babylon II is almost as addictive, seductive, compulsively page-turning as its inglorious Hollywood Babylon predecessor..

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Book Review: “The Atomic Bomb on My Back” — Witness to Apocalypse

August 3, 2020
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Reading Sumiteru Taniguchi’s book brought back my memories of meeting a man who had witnessed the unimaginable.

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Folk Album Review: Fleet Foxes’ “Shore” — Finding Serenity in Anxious Times

October 28, 2020
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For Fleet Foxes, Shore is impressively consistent. Each track presents a meticulously detailed soundscapes deepened by Robin Pecknold’s varied meditative perspectives.

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