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The format may be different, but FKA twigs remains as hypnotic as ever on her album Caprisongs.
Read MoreMa Rainey’s Black Bottom is a stellar artistic accomplishment, a blazingly powerful dramatic experience.
Read MoreOzark supplied some vital, if depressing insights, about what liberal Americans really value: money and power, rather than what they say they treasure, family and equality. The catch is that this is no longer news.
Read MoreNo Time to Die could only be a product of the Trump era.
Read MoreAs the play ends, all four characters have a clear understanding of their marching orders. But will they — or we — act on them?
Read MoreAntigonX shows how a theater company’s admirable dedication to innovation lifts new voices and ideas.
Read MoreEveryday Life and Other Odds and Ends is admirable because it takes contemporary theater into fresh territory — the slow paralysis of the body and the demands this decline makes on caregivers.
Read MoreHollywood Babylon II is almost as addictive, seductive, compulsively page-turning as its inglorious Hollywood Babylon predecessor..
Read MoreReading Sumiteru Taniguchi’s book brought back my memories of meeting a man who had witnessed the unimaginable.
Read MoreFor Fleet Foxes, Shore is impressively consistent. Each track presents a meticulously detailed soundscapes deepened by Robin Pecknold’s varied meditative perspectives.
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Holiday Commentary: Making Room for the Stranger