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Film Review: “The Triplets of Belleville” – A 21st Century Animation Classic

August 21, 2018
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Sylvain Chomet’s sublime 2004 feature is a shimmering, knowing homage to the beginnings of sound animation.

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Music Interview: Talking to Rocker Amy Rigby — Musician Turned Author

October 10, 2019
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“I’ve put out records by myself before, but this is like 10 times the work!”

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Video Game Review: “Rage 2” — Time to Rage on

June 14, 2019
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This wide-angle richness — a world filled with things to do, myriad side-distractions — is the mark of exceptional game design.

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Film Review: “The Souvenir” — Fear of Melodrama

June 7, 2019
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Joanna Hogg refuses by aesthetic principle to put a lot of inflection into her scenes, steering them away from melodrama and even heated drama. As a result, some episodes are half-baked, sketchy, and flat.

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WATCH CLOSELY: The Dark Depths of “Russian Doll”

February 14, 2019
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Russian Doll is television made to be savored.

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Music Review: Best New Album of July 2019

August 16, 2019
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Chance’s The Big Day beautifully blends authentic passion with superior talent and special guests with star power.

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Rock Concert Review: “The Rolling Stones” — Loose and Feisty

July 9, 2019
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The Rolling Stones were still up there, sounding vital, and that alone delivered satisfaction.

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Film Review: “Filmworker” — (Over) Labor of Love

May 26, 2018
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Tony Zierra’s film is a worthy and interesting one, but I admit to becoming worn down by the endless litany of unglamorous ways that protagonist Leon Vitali worked his butt off for the genius filmmaker.

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Film Review: “Kékszakállú” — Obliquely Inspired by Bartók

October 12, 2017
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What follows is a succession of images and tableaux static enough to make Michelangelo Antonioni look like an action-movie director.

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Film Review: “The Trip to Spain” — Out of Decadence, Epiphany

August 18, 2017
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We want to see how looming middle age is treating these two friends, whose intersecting careers and self-images shape their relationship.

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