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Music Commentary: The Streaming Cesspool

April 12, 2022
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When listeners outsource their listening to streaming organizations, as they commonly do, they are often directed to music that has been selected to fatten up someone’s bottom line, not to enrich and expand their musical lives.

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Television Review: “The Chair” — Weeding the Groves of Academe

August 19, 2021
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The Chair asserts that professors have lives outside the university and they are demanding and draining.

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Classical Music Album Review: Two Scintillating Israeli Pianists

February 18, 2021
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Two brilliant Israeli pianists have released exceptional musical offerings.

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Film Review: “The World to Come” — A Haunting Female Frontier Romance

February 5, 2021
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The excitement of these films – perhaps the word frisson would not be amiss – is that these women are envisioned as explorers in the land of Eros, map-makers of new terrain, discovering and inventing love as they go.

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Rock Album Review: Viagra Boys’ “Welfare Jazz” — Macho Bluster, Satirized

February 2, 2021
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On Welfare Jazz, Viagra Boys succeed through their skillful manipulation of pure bombast, spurred on by haywire grooves as well as plenty of oversized personality.

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Rock Album Review: Black Country, New Road — An Ending and a Culmination

February 25, 2022
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Regardless of what’s to come, Ants From Up There represents a dizzying creative apex for Black Country, New Road.

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Film Review: “Call Me By Your Name” — Desire Under the Apricot Trees

December 27, 2017
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I can unequivocally say this is the most masterful and beautiful film of the year.

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Concert Review: Bermel, Prokofiev, and Strauss at Symphony Hall

December 2, 2017
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The BSO’s performance of the Alpine Symphony had purpose and direction.

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Theater Review: “The Heath” — Shakespearean Resonances

February 23, 2019
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It’s impossible not to be moved by Lauren Gunderson’s elegant, understated writing.

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Book Review: “The Ghosts of Galway” — Fighting an Irish ISIS

February 4, 2018
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Jack Taylor is a Beckettian character on the skids; he can’t go on, and yet he goes on.

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