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Pop Album Review: A.G. Cook’s “Apple” — Half-Baked

October 6, 2020
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A.G. Cook’s undeniable talent shines through in spots, but the record suggests that the celebrated producer has a ways to go before stepping into his own as a solo artist.

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Book Review: “Our Dead World” — Testaments to the Never Quite Absent

June 16, 2017
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Bolivian author Liliana Colanzi delivers some risky, but important, messages in these enigmatic stories.

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The Arts on the Stamps of the World — March 21

March 21, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

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Music Preview/Appreciation: Jens Lekman Attains Indie Sainthood

March 12, 2017
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If there is such a thing as upbeat melancholia, then Jens Lekman has got it down pat.

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Concert Review: The Boston Celtic Music Festival — A Rousing Break From Winter

January 13, 2014
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The music was loud, the dancers laughing and sweating and clearly happy to be liberated from their cabin-fever inducing confines to let loose and have some fun.

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Coming Attractions: January 13 Through 29 — What Will Light Your Fire

January 13, 2019
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Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.

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Jazz Album Review: Bill Evans and Tony Bennett, 50 Years After

August 27, 2025
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Perhaps the most well-known jazz piano-vocal duo recordings were made in 1975 by Bill Evans and Tony Bennett. For me, these performances are sui generis — a high-water mark of the form.

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Fuse Coming Attractions: January 31 through February 9 —What Will Light Your Fire This Week

January 31, 2016
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Arts Fuse critics select the best in film, theater, dance, music, visual arts, and author events for the coming week.

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Jazz Interview: Composer/Pianist Anthony Coleman — On Being “Avant-Garde”

April 28, 2018
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As part of its 150th anniversary celebration, NEC commissioned Anthony Coleman to compose a large-scale work he has named Streams.

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Jazz Preview / Commentary: Jason Moran’s Monk Project

January 19, 2012
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So Jason Moran has decided to re-create something that is already a pinnacle of a master’s work –- something that could hardly be improved on. You could be expected to ask Why? and How?

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