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The Disco Biscuits improvisations are not driven by a guitar-rock root: they are more apt to dive into a piece of classical music and then ease into a propulsive dance-club beat that eventually swerves into Zappa-style brainy grime.
Read MoreThe album’s layers of thick and swampy sound make Kim Gordon’s anxious point.
Read MoreI’m not against the concept of a Whitman’s Sampler of C.K. Williams poems — but this problematic selection proves that it should not be a family affair.
Read MoreIf you’re brave enough to dip your toes into a musical unknown, there are pleasures a-plenty to be had in this recording, in which Joe Jackson takes us on what purports to be a musicological excavation of the works of a long-forgotten figure of the English Music Hall era.
Read MoreSir George Martin’s AIR Studios in Montserrat gave birth to some great ’80s music, then succumbed to the elements.
Read MoreLike his idol, Todd Rundgren, John Powhida is a bit of a musical shape-shifter, evoking a broad range of styles but always with his unique and easily recognizable stamp.
Read MoreOne can only hope that Gail Samuel’s hiring means that the BSO’s welcome-but-fitful efforts at expanding its repertoire and engaging the community of late will become central to its post-pandemic mission.
Read MoreA Glitch in the Matrix is nowhere near as unhinged as a Dinesh D’Souza “documentary,” but it’s mentally taxing to watch so many people describe the real world like it’s Minecraft.
Read MoreAfter premiering at the New York Film Festival in 1979, this powerful documentary about one of the most dramatic periods in American labor history has been newly restored.
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Visual Arts Commentary: John Singer Sargent — A Particular Sort of Loner