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As a vision of gay bonding, The View UpStairs exudes a wonderful in-your-face spirit.
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Piercing choreographs its weirdness early and often.
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You know a Cowboy Junkies tune the second that you hear it, but the songs don’t come off as formulaic or produced for mass consumption.
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Summer 1993 is provocative, both for the raw depth of the emotions it evokes and the directness of its storytelling.
Read MoreBy Caldwell Titcomb The scientist Spalanzani (tenor Neal Ferreira) strikes an unlikely deal with the nefarious inventor Coppélius (baritone Gaétan Laperrière) in the BLO’s fine production of “Tales of Hoffmann.” One of history’s most famous and beloved French operas wasn’t written by a native Frenchman. “The Tales of Hoffmann” came from the pen of Jacques…
Read MoreAn intriguingly speculative study argues that the history of world literature boils down to a power struggle between outsiders and insiders.
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The documentary slate at this year’s Independent Film Festival Boston’s all-virtual spring festival puts non-fiction film front and center.
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In the age of COVID-19, Arts Fuse critics have come up with a guide to film, dance, visual art, theater, and music — mostly available by streaming — for the coming weeks. More offerings will be added as they come in.
We learn a great deal about Hayim Nahman Bialik’s life in this biography. But the volume does not live up to its subtitle.
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Oh He Dead’s new album carries a unified punch as it interweaves meditations on dark subjects: mortality, polarization, and how life isn’t always sunshine and rainbows.
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Visual Arts Commentary: John Singer Sargent — A Particular Sort of Loner