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For those of us who love Christmas music, Aimee Mann and company showed how to do it right: a lot of lovely songs and festive spirits, not a lot of sticky sentiment.
Read MoreContra-Tiempo sees the pandemic as an invitation for transformation: the performance questioned who we are, how do we move among each other, and what gives us joy.
Read MoreIn Garciela Iturbide’s photographs, the living and the dying are often joined at the (exposed) skeletal hip.
Read More“Porches are loosely defined. Our stages include stoops, yards, and driveways, as well as churches, community centers, affordable housing, and elderly housing.”
Read MoreDominique Morisseau’s monologues and dialogues draw you into the details of American working class life.
Read MoreArts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
Read MoreIn the age of COVID-19, Arts Fuse critics have come up with a guide to film, dance, visual art, theater, and music — mostly available by streaming — for the coming weeks. More offerings will be added as they come in.
Read More“Tomorrow Night” is firmly in the makes-you-cringe vein of comedy of which “Louie” and “Curb Your Enthusiasm” would become exemplars.
Read MoreSamuel Adams, a superb political organizer who helped turn the Boston Massacre into a cause célèbre, was more conservative than modern admirers, including biographer Stacy Schiff, want to admit.
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Book Feature: Children of the Revolution — An Interview with Lawrence Roberts about Mayday 1971
“One lesson is that when a country feels like it’s really gone off on the wrong track, a social movement that finds a way to express that dissent in the streets can really make a difference.”
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