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Of all the songs ever written about a woman violated by her brother’s ghost after she decapitates him playing croquet, “The Musical Box” remains the best.
Read MoreCohen fans, rejoice – Popular Problems proves that the power and depth of his music haven’t faded now that the man singing them is officially an octogenarian.
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The Emerson Quartet’s greatest strength lies in its ability to temper individual excess in favor of a lush corporate blend.
Read MoreA mural painted on the side of a Big Dig ventilation structure in the Boston’s Financial District has generated enormous controversy.
Read MoreBy Salima Appiah-Kubi Moulin Rogue hinted at it. Hedwig and the Angry Inch made it cool. Everyone Says I Love You nearly killed it. This month’s release Mel Brooks’ movie-turned –musical-turned movie musical, The Producers, has made it official. Ladies and gentlemen, we are now entering the second age of the movie musical.
Read MoreIt was good to see Martha Davis and The Motels with a full house at Johnny D’s, especially since the group clearly has life in them.
Read MoreFor the diehards who crowded the Sinclair, the Church aren’t about hit singles and nostalgia; they’re about double-guitar dreamscapes and psychedelic visions.
Read MoreAs is the case with all public spaces, Magazine Beach reflects the sensibilities and desires of its users, who ruined, abandoned, embraced, and transformed the area.
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Host Elizabeth Howard and journalist Simon Mundy talk about his book “Race for Tomorrow,” which examines the implications of climate change, from the micro to the macro.
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In Good Harbor, poet Max Heinegg draws on his gift for lyricism as he considers his family, love, school, and the places he has been.
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Visual Arts Commentary: John Singer Sargent — A Particular Sort of Loner