Search Results: the hemp revival reading answers
NOTE: KOBO TOWN’S PERFORMANCE AT JOHNNY D’S HAS BEEN CANCELLED
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This revival of 1776 tries to strike a culture wars balance, celebrating the country’s commitment to independence while also here and there skewering the idealized images and blatant hypocrisies of America’s patriarchal founders.
Read MoreThis is not just a story of a plucky girl succeeding; in weaving her complicated story and giving credit to those who helped her to understand how to think critically and how to develop her own moral philosophy, Sonia Sotomayor never forgets that luck and serendipity also play a part.
Read MoreBy Bill Marx The Huntington Theatre Company’s Breaking Ground Festival of new play readings turns five this year. The latest lineup runs through Sunday at the shindig’s venue, the Stanford Calderwood Pavilion at the Boston Center for the Arts. Scripts by Melinda Lopez, Ken Urban, Mat Smart and Nathan Louis Jackson, as well as a…
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To Sound of Metal’s credit, the narrative remains open-ended, refusing to descend into a predictable “Hollywood” story of triumph over adversity.
Read MoreWhy does John Merrick get a room in the London Hospital for the rest of his life? Because he’s charming and he’s witty, while the pinheads next door to him didn’t fare that well.
Read MoreBut make no mistake about these two novels; they are not just delicious, hilarious capers. They glow in the mind because they are informed by Elizabeth Jolley’s understanding of our common loneliness and her sympathy with the myriad, ingenious connections we make to try to alleviate it. The Sugar Mother by Elizabeth Jolley. Persea Books,…
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The magazine’s jazz critics look back over the past year and highlight their favorites — performances, recordings, and books.
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Susan Tedeschi has developed a way to assert her powerhouse presence without upending the overall balance of the big band.
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Book Review: Karl Kraus’s Prophetic “Third Walpurgis Night” — Listening to the Music of an Ocean of Mud
“Let my style capture all the sounds of my time. This should make it an annoyance to my contemporaries. But later generations should hold it to their ears like a seashell in which there is the music of an ocean of mud.”— Karl Kraus
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