Search Results: self objectification

Doc Talk: Maine Attractions

September 14, 2023
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The vicious, virtual, voyeuristic, and vicarious are on view at this year’s Camden International Film Festival.

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Theater Review: Two Plays Chronicle the Lives of Pioneering Women

July 4, 2012
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Two Berkshire theaters are offering one-woman shows this summer. Both scripts feature intelligent, frank, and charismatic women. Both productions star gifted and seasoned actors.

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Theater Review: “Brundibár” and “But The Giraffe!” Serious Theater for Young People

April 2, 2014
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The Underground Railway Theater production shows that sometimes children’s theater is capable of a moral depth (perhaps even a fearlessness) that adult theater often avoids.

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Theater Review: “Arcadia” – Winding the World Up … And Down

April 8, 2016
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Director Lee Mikeska Gardner has put together a dazzling production that matches Tom Stoppard’s dazzling script.

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Film Review: “French Exit’ — In This Absurdist Romp a Diva Makes a Grand Exit

February 12, 2021
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Defiant and tonally offbeat, French Exit mirrors, in a sense, its female protagonist, who doesn’t give a damn what the world thinks of her.

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Book Review: “Look at the Lights, My Love” — Meditations in a Superstore

April 4, 2023
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Can Nobel laureate Annie Ernaux lend literary dignity to a big-box store?

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Book Feature: Worthwhile Reads in 2016

December 30, 2016
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Some books published in 2016 I’m glad to have read.

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Fuse Theater Review: “The Real Thing” — A Play That Resonates with Reality

November 15, 2014
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The Real Thing’s discussion of linguistic precision may be telling now in ways that dramatist Tom Stoppard may not have anticipated.

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Theater Commentary/Review: On American Stages — No Politics, Please

March 14, 2015
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In 1939, Clifford Odets wrote that ‘we are living at a time when new art works should shoot bullets.” Fat chance of any shots coming from our voluntarily disarmed theaters.

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Book Review: “Sargent and Paris” — Sargent and Amnesia

April 29, 2025
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I wish this catalogue spelled out John Singer Sargent’s professional stance as a “juste milieu” painter more methodically. That term refers to those eager to be associated with new stylistic tendencies yet careful not to transgress the establishment’s norms.

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