Search Results: self objectification
Johannes Vermeer as a person and a painter remains a mystery, but this documentary expertly probes the brilliance of his art.
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The Ash Family is a full-color illustration of how the modern world leaves people vulnerable to radical ideas.
Read MoreBy Adrienne LaFrance February 22nd, 2006 Chances are, when you think of interactive art the first thing that comes to mind is the lineup of cranks to turn, buttons to press, and microscopes to peer into at a children’s science museum. But the exhibition COLLISIONnine BOTbits (at Wellesley College though March 8, 2006) proves that…
Read MoreSuccess assured? Critics and others discuss whether the MFA’s new wing, The Art of the Americas, lives up to the hype generated by the opening in the latest Judicial Review.
Read MoreThe authors have used their research well. Beyond applying an abundance of detail to trace his intellectual growth as well as the trajectory of his emotions, Eiland and Jennings have managed to intimate—though perhaps not to capture—something more elusive: a sense of Benjamin’s aura.
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Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
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Dominique Morisseau’s earnest Pipeline is a “message” play, American style.
Read MoreOut of Sterno punches the same punchline far too often.
Read MoreThe enduring aspect of Paul Klee’s art is its playfulness, which bubbles up even out of this viscous curatorial treatment.
Read MoreI wouldn’t be writing this review or asking you to read this book if I didn’t believe that McLane were up to something far more radical and also far more difficult to reckon with—something I am not even sure I can account for. The most significant quality of the poetry in “World Enough” is a profound and unapologetic ambiguity.
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Holiday Commentary: Making Room for the Stranger