Search Results: second short film Lion director
Joshua Rubenstein’s succinct account of Leon Trotsky’s life rescues the Russian radical from a remoteness, positioning him at a useful distance for contemporary readers
Read MoreTime to look at the maverick mavericks, composers with feet firmly planted on either side of the dividing line between jazz and classical.
Read MoreArts Fuse critics select the best in music, film, dance, author events, and theater for the coming week.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
Read MoreIsaac Butler’s stories about The Method’s effect on American film acting are insightful, particularly when he recounts how actors could be either inspired or angered when they embraced it.
Read MoreA reflection on the whole tradition of combining longish narrative poems to music, especially for performance in a concert hall by large forces (e.g., singers and orchestra).
Read MoreAs the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
Read MoreIn A Fan’s Life, Paul Campos makes a valiant stab at reconciling his avowedly progressive views on American politics and iconoclastic intellectual pursuits with his lifelong obsession with spectator sports.
Read MoreArts Fuse critics select the best in film, dance, visual arts, theater, music, and author events for the coming weeks.
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Classical Music Commentary: “Boulez est mort”
And yet, for all the violence of his youthful polemics and his unflinchingly-held beliefs, Pierre Boulez was neither demagogue nor ideologue.
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