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Cutting edge scholar Dániel Margócsy has penned a fascinating study about the early collisions of art, profit, and science.
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
What is the food that Luis Melendez paints? Is it food? More than food? Less than perfect food? Food stand-ins for something else? What is this stuff called “every species of food produced by the Spanish climate”? Is it about the food or something beyond, beyond the canvas? by Sally Levitt Steinberg What fruits! What…
Have we been missing a major poet while we celebrated a great dramatist and the most influential fiction writer of the second half of the twentieth century?
Honesty is Best Policy Disclosure: I was in the hall to hear Mostly Other People Do the Killing. I’d heard the band on CD, and I knew that the only way I could appreciate them fully was to attend a performance.
While it’s too soon to call it timeless, the vitality in Philip Guston’s art has proved durable. But the structure around it – the “art world” in its blinkered, stultified form, institutional and academic in the worst senses of those words – has died and encased it.
A rundown of three narrative programs and one documentary program. We just might see these directors’ names on future IFFBoston features.
Moppa Elliott makes eminently approachable music at a very high standard, with great ingenuity and sophistication. He has proven himself to be one of the most inventive and creative composers for small jazz ensemble since Charles Mingus.
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
Dance Commentary: Misty Copeland, Ballet, and Race
Tomorrow, Misty Copeland will be American Ballet Theatre’s first African-American ballerina to perform the lead role in Swan Lake in New York City.
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