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I feel like such a nag, but someone ought to be able to point out a 300 lb gorilla in the room when it knuckle walks, glowers and pounds the walls. I will be that very nag and shortly name the ape accordingly. Endgame: Bobby Fischer’s Remarkable Rise and Fall—from America’s Brightest Prodigy to the…
Read More“Reading Ḥayy Ibn-Yaqẓān” is a mesmerizing study that will enchant anyone interested in interdisciplinary, cross-cultural explorations of the history of science that transform the way we look at the past and the present.
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These tunes are not just good to listen to, but also serve a purpose by sending a message, whether it be to raise a voice in protest or entice reflection.
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Is this lineup of jazz performances richer and more mouth-watering than we’ve seen in many a year? Yep.
Read MoreGagosian Gallery’s show Picasso & the Camera is the art bargain of the season.
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While it’s too soon to call it timeless, the vitality in Philip Guston’s art has proved durable. But the structure around it – the “art world” in its blinkered, stultified form, institutional and academic in the worst senses of those words – has died and encased it.
Read MoreA case could very easily be made for George Clinton as an anarchistic innovator who has played a larger role than he gets credit for in shaping a genre of music which probably defines the mainstream now more than any other.
Read MoreIn contrast to similar extermination-camp memoirs, But You Did Not Come Back focuses on the affliction of women.
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Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
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Theater Feature: An Interview with Benny Sato Ambush on Directing the Virtual Reading of Anthony Clarvoe’s “The Living”
“A play like The Living pricks the conscience of the country. It is the reason I wanted to produce and direct it.”
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