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Theater Review: “Valentine Trilogy” Has a Lot of Passion but Could Use More Smarts

August 13, 2013
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So what’s a hero to do but throw punches and kicks in the name of love and forgiveness?

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Classical CD Reviews: Kozhukhin plays Brahms and Emmanuelle Bertrand’s Saint-Saens

February 6, 2017
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Pianist Denis Kozhukhin does right by Brahms and an all-Saint-Saens disc that, at its best, is a winner.

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Literary Appreciation: Grace Paley and the Swiveling Light of Truth

December 13, 2022
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An homage to Grace Paley, one of the great American writers of the 20th century.

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Hot Night in Tanglewood

August 22, 2005
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Don Quixote, Stalin, and a deadbeat 18th century nobleman trigger musical magic at a series of concerts in the Berkshires.

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Arts Reconsideration: The 1971 Project — Celebrating a Great Year in Music (April Entry)

April 8, 2021
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Arts Fuse writers continue their countdown of great music celebrating its 50th anniversary this year, and the list includes Marvin Gaye, Link Wray, David Bowie, Jean Knight, and The Rolling Stones.

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Book Review: “The Quiet Before”– How Our Conversations Set the Boundaries of Our Thinking

August 6, 2022
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This superb book about adventures in radical thinking is less about tracking incendiary ideas to their obscure sources than about the various media used to ferment and transmit them.

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Book Review: “Cockroaches” — A Gruesome Story, Memorably Told

October 12, 2016
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Scholastique Mukasonga’s autobiography, Cockroaches, examines the three decades leading up to the 1994 Genocide in Rwanda.

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Arts Remembrance: Guitarist Garrison Fewell — The Master of Searching for Something More

July 5, 2015
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An inspiring man as well as a brilliant musician, Garrison Fewell had the courage to turn away from the darkness and to embrace the light.

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Coming Attractions: April 7 through 23 — What Will Light Your Fire

April 7, 2019
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Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.

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Theater Review: “Mies Julie” — Writhing in the Danger Zone

December 5, 2013
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In her compelling deconstruct/rewrite of “Miss Julie,” set in South Africa 18 years after the end of apartheid, director/dramatist Yaël Farber doubles down on the elemental energies of Greek tragedy.

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