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Otto Dov Kulka’s exploration of the time he spent in Auschwitz as a child won the 2014 Jewish Quarterly-Wingate prize, one of the judges calling it “the greatest book on Auschwitz since Primo Levi.”
Read MoreFor French writer Pierre-Albert Jourdan, paradox and its close kin aphorism were ways to approach the ineffable, the infinite, the immanent, and above all the state of unity between self and world that he devotedly, passionately sought.
Read MoreOur expert critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
Read MoreOnce you have wrestled with Paul Celan’s poetry, you may find yourself with a changed and sharpened sensibility to image and language.
Read MoreTamas Dobozy is an anarchist in the best sense of the word: it’s not chaos he’s enamored of but a way of life untrammeled by political oppression, bureaucratic horrors, legal absurdities.
Read MoreMark Harvey and the Aardvark Jazz Orchestra: It’s hard to remember what the Boston jazz community was like before Harvey came along. In fact, the term “jazz community” would have seemed far-fetched at best if anyone had used it.
Read MoreWhat’s on the screen rings true, but Fire Music falls short of being fair to history.
Read MoreThe path Dirty Harry (and too many of his defenders, then and now) chose to pursue — the urban policing version of “killing the village in order to save it” — was outdated and discredited even in 1971.
Read MoreBoth David Bowie and Norbert Stein present distinctive and subtle approaches to the hybridizing of poetry and music.
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Theater Commentary: A Wacky Vision of Violence — “Gary: A Sequel to Titus Andronicus”
Finally, a sign that American theater might be facing the world of violence outside of its usual provincial purview.
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