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Arts Fuse critics select the best in film, dance, visual arts, theater, music, and author events for the coming weeks.
Read MoreDirector Paul Thomas Anderson doesn’t provide answers nor does he pose questions: the ambiguity of his characters and his confounding storytelling style are what drive “The Master.”
Read MoreOur expert critics supply a guide to film, visual art, theater, author readings, television, and music. More offerings will be added as they come in.
Read MoreAs the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
Read MoreOddly, not everyone is concerned with vampires. A friend tells me he finds them overdone, ornate, weighed down with baroque bells and whistles. His vote goes to zombies. I reply that zombies are one-trick monsters. They don’t even suck, only bite. That, he says, is what he likes about them; they are stripped down, perfect…
Read MoreArts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
Read More“The Beginning-End of Yiddish,” is poet/essayist Richard Fein’s core subject: his love for a language largely eviscerated in his lifetime.
Read MoreArts Fuse critics select the best in film, dance, visual arts, theater, music, and author events for the coming weeks.
Read MoreIf the verse in UNSEEN HAND refuses triumphant fictions, there is an attentive, persevering dignity in its preference for seriality. Because these recurring poems recreate our being in the world, they are powerful tools for returning to it.
Read MoreI hope this centennial will inspire readers to immerse themselves in this enormously important, rich, and vibrant work.
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Arts Feature: Best Movies (With Some Disappointments) of 2025