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A modern version of the venerable double bill: first, Drácula, a 1931 Spanish-language film accompanied by guitarist Gary Lucas performing his half-improvised original score. Next came the film Spark of Being, a re-imagining of the plot of Frankenstein, co-directed by filmmaker Bill Morrison and trumpeter-composer Dave Douglas, who led his band Keystone in 13 pieces…
Read MoreWhat is a Judicial Review? It is a fresh approach to creating a conversational, critical space about the arts and culture. This is our eighth session, a discussion about the Boston University College of Fine Arts production of the 1990 Stephen Sondheim/John Weidman musical Assassins, which looks at the lives and sensibilities of men and women who attempted (successfully or otherwise) to kill the President of the United States.
Read MoreWondering about what to give the arts and culture lover on your gift list? No problem — the sage writers for The Arts Fuse (with an assist from our readers) come to the rescue with thoughtful suggestions.
Read MoreArts Fuse critics select the best in film, dance, visual arts, theater, music, and author events for the coming weeks.
Read MoreMark Harvey and the Aardvark Jazz Orchestra: It’s hard to remember what the Boston jazz community was like before Harvey came along. In fact, the term “jazz community” would have seemed far-fetched at best if anyone had used it.
Read MoreEach month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
Read MoreLong before the current writers’ strike, Hollywood was sounding the alarm about the dangers of AI.
Read MoreThe magazine’s jazz critics look back over the past year and highlight their favorites — performances, recordings, and books.
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Jazz Album Review: What “Data Lords” Says About the Remarkable Career of Maria Schneider
“The sun and everything in this world is there waiting for us—patiently and loyally. To feel its power, we just need to make the choice to get up, go out, look up and connect to its magnificence.” That is really, truly, there in the music.
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