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If you love classic musical comedy, this is a production you must see.
Read MoreMichael Tilson Thomas delivers a towering Ives Fourth; pianist Conrad Tao’s American Rage is hard-edged and defiant, but also poignant and stirring; Gianandrea Noseda’s Shostakovich Fourth is ferocious.
Read MoreThere are no angels in Mark Rothko’s work: only the ascendancy of glorious color.
Read MorePandora’s Box never tosses the reader into a roiling overload of facts and figures, but looks at the horrors of WWI from many different, illuminating angles.
Read MoreThe greatest album of the year isn’t even an album per se. There is a lot of hoopla surrounding the leak of what might be the debut album of elusive British lo-fi R&B artist Jai Paul.
Read MoreAh, Florida, “the grease trap under America’s George Foreman Grill”: not just “weird America,” also “impending America.”
Read MoreThis time around, as both a writer and director, Paul Schrader has a found a story, and the artistic restraint, to convey his elevated vision.
Read MoreNo No: A Dockumentary presents a textured portrait, on and off the field, of ’70s pitching phenomenon Dock Ellis.
Read MoreYou have to appreciate a guy who expressed his concern for both the drought on the Texas plains and the local arts community’s drought in terms of cancelled jazz programming on WGBH and the closing of the BOSTON PHOENIX.
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Theater Commentary: Does Playwriting Have a Future?
To mark the dedication of the New College Theatre at Harvard on October 17, a panel of four playwrights gathered to address the question “Does Playwriting Have a Future?” To allay suspense, the answer is yes (whew, that’s a relief).
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