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Charli has successfully dramatized her impatiently jagged state of mind, supplying an emotionally honest stream of consciousness that suggests what she (and no doubt many others of her generation) is feeling and thinking in quarantine.
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Straight White Men features plenty of conflict, but most of this wrangling comes in the form of tiresome, repetitive familial bickering.
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Night Triptych is an important disc, but also an inviting one that takes you to some fresh places well worth experiencing. Also, another success for harpsichordist Justin Taylor, and a well-earned one at that.
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A triumphant disc from A Far Cry, some fresh thinking from Giuseppe Sinopoli and the Israel Philharmonic, and Thomas Hampson, a great purveyor of American song, focuses on Chicago.
Read MoreLouie is a difficult show to advertise because it is the only example of art-television at the moment.
Read MoreThe conceit of “On the Verge” is fascinating, inviting us, as all first rate speculative or science fiction does, to see our past through different lenses.
Read MoreGiven how rarely “Henry VIII” is staged, any Shakespeare enthusiast worth his or her salt should definitely take in this uneven production.
Read More“Learning to Listen” is less about a jazz journey than it is about a prodigiously talented artist for whom music came easily while his own life was a puzzle.
Read MoreTHE FUTURE, director/actor Miranda July’s followup to 2005’s ME AND YOU AND EVERYONE WE KNOW is brave, unexpectedly poignant and devastatingly sad.
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Visual Arts Commentary: Life After Lockdown — Designs for Future Living After COVID-19
These products are imaginative clues to what our ‘new normal’ future will be like.
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