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Rock Review: The Damned Deliver Damned Good “Evil Spirits”

May 16, 2018
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Even after decades, The Damned is still grandly flying its freak flag.

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Film Feature: Summer of Love Series — Retro Balm for Turbulent Times

June 5, 2017
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Summer of Love’s line-up contains some of that iconic year’s most indelible works of cinema.

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Film Review: “The Wedding Plan” — Is Jewish Orthodoxy Really a Woman’s World?

May 28, 2017
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This time that we’re getting a too-sweetened take on Hasidism, and maybe of Jewish Orthodoxy in all of its manifestations.

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Classical CD Reviews: Boston Modern Orchestra Project plays Steven Stucky and Johannes Moser plays Elgar

February 4, 2017
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BMOP releases a fitting, moving tribute to a giant of contemporary music; Johannes Moser turns in a sweeping performance of Elgar’s Cello Concerto.

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Concert Review: Russian Music by the Boston Philharmonic

February 25, 2018
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Benjamin Zander, who’s led some distinctly fine concerts in recent years, drew the best out of his band.

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Preview: NH’s Hopkins Center — Helping to Create and Showcase the Performing Arts

August 11, 2017
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The Hop, as it is known, is more than a collection of performance venues; it plays an active role in developing art and artists.

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CD Reviews: Petrenko’s Elgar and Orozco-Estrada’s Dvořák

March 27, 2017
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Vasily Petrenko and the Royal Liverpool Philharmonic Orchestra serve up some curious and, from time to time, rather languorous Elgar.

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Film Review: “The Devil’s Candy” — Wouldst Thou Like to Die, Deliciously?

March 24, 2017
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Horror fans in search of a smarter-than-average thriller that will make their viscera quiver should not miss this one.

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Classical CD Reviews: Kamus Quartet’s “Homunculus” and Jeroen Van Veen plays Adams

January 22, 2018
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The nearly 10 year wait for the premiere of Esa-Pekka Salonen’s string quartet Homunculus was worth it.

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Book Review: Samuel Beckett’s “Echo’s Bones” — Anticipation of Masterpieces to Come

June 23, 2014
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Echo’s Bones is a fascinating immersion, somewhat inept in its means, but sincere and gravely serious, in a subject that Samuel Beckett made increasingly his own.

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