Search Results: quotes
This re-release of a superb recording of a major Meyerbeer opera reminds us what treasures are available to opera companies (and college opera programs) willing to step beyond the well-trodden path.
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There are cringe-worthy moments as well as scenes of mesmerizing beauty in Disney’s live-action Pinocchio. But I’ll go against the critical grain and argue, for several small reasons, and for one big one, that it was necessary to make it.
Read MoreOf the major 20th-century writers in English, Patrick White stands with the best, partly because he refused to repeat himself, and partly because he refuses to tell you everything, so that when you read him there is a sense of discovery.
Read MoreThe profound impact of Ornette Coleman can be seen in the reactions of the music world to his passing.
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Cédric Kahn’s conventional but fiery true-life courtroom drama hones in on French racism and anti-semitism.
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The latest film from Yorgos Lanthimos is a confusing mishmash of forced weirdness.
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Sir Simon Rattle and Bavarian Radio Symphony Orchestra solve the riddle of Gustav Mahler’s Symphony No. 7. The conductor and the London Symphony Orchestra also offer a refreshingly impish, characterful traversal of music by Kurt Weill.
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The 8-piece band Tuba Skinny is one of the most entertaining purveyors of traditional jazz around.
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Ultimately, on some level, the Boston Philharmonic Orchestra’s performance of Bruckner Ninth functioned as a study in approaching the unknown (and unknowable) with humility.
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Book Review and Commentary: Testaments to the Wonderful Ears of Ralph J. Gleason
A writer has to write for the now or to write for the ages. Gleason almost always chose the now, but his best moments go deeper.
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