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Our expert critics supply a guide to film, visual art, theater, author readings, television, and music. More offerings will be added as they come in.
Read MoreOur expert critics supply a guide to film, visual art, theater, author readings, television, and music. More offerings will be added as they come in.
Read MoreEach month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
Read MoreMany of the qualities that mark Penderecki’s best work – exquisite technique, an innate feel for rhythmic athleticism, an ear for dazzling colors and theatrical gestures, an impeccable sense of musical structure, and the affinity for emotional immediacy – are also hallmarks of Rouse’s.
Read MoreLeonard Bernstein was the most charismatic conductor of the last century. Gustavo Dudamel is the most charismatic of this one – and is likely to remain so for a long time to come. By Caldwell Titcomb In the arena of classical music, the world’s most exciting personage continues to be Gustavo Dudamel, the dynamo from…
Read MoreBoston Conservatory’s New Music Festival is inspiring a series of commentaries from Fuse Jazz Critic Steve Elman. Here is his third installment, which focuses on Gunther Schuller, who has inspired at least four generations of artists and revitalized a venerable institution of higher musical learning.
Read MoreArts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
Read MoreOur expert critics supply a guide to film, visual art, theater, author readings, television, and music. More offerings will be added as they come in.
Read MoreDirected ably by Joel Zwick, a long-time collaborator of Hershey Felder’s, the excellent Maestro: Leonard Bernstein includes the performer singing, playing the piano, and conducting as well as telling stories.
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Jazz Special Feature: Chick Corea (1941-2021) — Memories and Impressions
Fuse critics pay homage to Chick Corea performances and recordings that they found memorable.
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