Search Results: journal paper
Those willing to accept that powerful political theater can be as much about depicting pain as providing hope will find much to admire in this visually striking, dramatically compelling piece.
Read MoreYears (or would that be decades?) ago, editors had the self-respect to be embarrassed by critical incompetence, perhaps because there was the assumption that knowledgeable people were reading the paper. Those discriminating readers are long gone from the marginalized arts section of The Boston Globe . . . By Bill Marx I haven’t seen the…
Read MoreBy Bill Marx Criticism of the fine arts is dying in regional newspapers, but don’t waste too much time mourning the loss. Arts blogger and Wall Street Journal theater critic Terry Teachout’s recent article on how arts criticism is vanishing in regional newspapers hits the nail on the head, though he is either too considerate…
Read MoreMinor White’s autobiographical undertaking lacks diaristic narrative. There’s too much neurotic navel-gazing too much of the time. Yet it is very appealing as a twisted personal miscellany whose contents range from summaries of sex dreams to snarky letters that were never sent.
Read MoreThe long-anticipated pairing of Gov’t Mule and the Tedeschi Trucks Band turned out to be one of those rare moments when the live performance outshined even the promise on paper.
Read MoreThe decisions William Kentridge makes in his minute to-ings and fro-ings are akin to the decisions a poet makes as she works her measure over and over again.
Read MoreIn a way, Arnie was, to Boston, what George S. Kaufman was to the Algonquin Round Table, except the “vicious circle” lasted only ten years while Arnie enlivened his circle of friends for more than sixty.
Read MoreThe Arts Fuse is developing a new initiative: the Arts Critic Mentorship Program and celebrates turning nine!
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Critical/Theater Commentary: Slapping Sleeping Media Outlets A “Woke”
Taking action on even a modest number of these suggestions will undoubtedly shake up the current puerility of much of American theater criticism.
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