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662 will appeal to hard-core blues fans along with those who want more of a hyphenated blues sound, be it blues-rock, blues-funk or blues-pop.
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In his latest feature, filmmaker Wim Wenders extols the simple life.
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This 65-year-old recording features some of the best players in L.A. and it is bright, sharp, and revealing. There’s plenty to marvel at here even if I would have wished for more ballads and fewer Stan Kenton-like brass fanfares.
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Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
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Woody Sez falls short as a compelling chronicle of Guthie’s life and times. It becomes a sort of “greatest hits” round-up and the steady stream of music is moving and then some.
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Our expert critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
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We can only wonder what Katherine Mansfield might have given us had she lived a normal life span, yet we should cherish what we have, as Claire Harman has done so beautifully.
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Host Elizabeth Howard talks to Dr. Jay Watson, the Howry Professor of Faulkner studies and Professor of English at the University of Mississippi. This year marks the 100th anniversary of the first book William Faulkner published — “The Marble Faun.”
Read MoreTo The Wonder — the best American feature by far of 2013: beautiful, compassionate, tragic, transcendent.
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Horse represents a victory lap (pun intended), a confident follow-up to the artist’s astonishing success with his self-release of Powderhorn Suites.
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