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Movies, great or awful, are essential comforts in these nightmarish times. And in my second dispatch of the Fantasia fest, I bring better tidings.
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It’s good to discover that George Scialabba is as lively as ever and that “Only a Voice” is filled with provocative arguments that make the reader want to argue right back.
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Solid Sound is like a family picnic for stylistically open-minded musicians and fans alike within the brick-mill infrastructure of MASS MoCA.
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Classical music continued to thrive, locally and globally, in 2019.
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It is difficult to think of a harder-working actor or one more devoted to his craft.
Read MoreJack Kerouac once said that “On the Road” “was really a story about 2 Catholic buddies roaming the country in search of God,” but the spiritual element of his journey is completely lacking in the film.
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by Bill Marx In a New York Times article I wrote about earlier this week, dramatist Marsha Norman suggests ways to soften nasty stage reviews, which she claims chase audiences away from the glories of theater and into the decadent arms of television. But how would she discipline a successful homegrown dramatist, Neil LaBute, when…
Read MoreMassenet’s instinct for drama and gifts as an orchestrator go a long way to carrying the piece, but it still can make for a long night at the theater.
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Mary Bevan, silvery soprano beloved in Boston, enchants anew in one of Handel’s most frequently performed and recorded operas.
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Book Review: Placing University Branding Irons in the Critical Fire
Any reader curious about the multifarious and complex relations between academic values and branding will find much to mull over in these essays.
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