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For William Kentridge history accrues, falls dead, is born, washes up, piles up, and may be artfully arranged, but the most powerful place that this accretion might happen is in the artist’s studio, which is a metonym for the human mind.
Read MoreWhat is a Judicial Review? It is a fresh approach to creating a conversational, critical space about the arts and culture. This is our ninth session, a discussion about the New Repertory Theatre’s production of David Mamet’s play “Race”, which revolves around the frenzy and fury generated by three attorneys who are asked to defend a wealthy man accused of raping an African-American woman.
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This not-quite-full retrospective contains three masterpieces of Iranian cinema: Close-Up, Taste of Cherry and The Wind Will Carry Us.
Read MoreIt is our good fortune that the Library of America has decided to make H. L. Mencken’s Prejudices, a mother load of uproarious, unruly, acidic reviews and commentaries on all things American — books, music, democracy, religion, education, food, women, mores — available.
Read MoreWhat is perhaps most astonishing is that the Lorelei Ensemble seems, in its current formation, like the most natural of phenomena.
Read MoreThis is a major Bach town and, judging by this evening, no ensemble performs his music much better than H & H under Harry Christophers.
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Who wants timely now? I sure as hell don’t. I want an escape and a podcast dedicated to the Grateful Dead’s live career is easy to get blissfully lost in.
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Hilary Hahn supplies a disc of immaculate Bach; conductor Sakari Oramo and the Vienna Philharmonic play music by Rued Langgaard to the hilt.
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These exhibitions present two very different ways of engaging with gender, both raising the question of gaze.
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Arts Commentary: The Author of “The Jazz Bubble” Responds
“What is new since the ’70s is a much broader ideological shift in the business world itself, and the way in which it came to approach the jazz world as a result.”
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