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À la Vie, screening as part of the 18th Annual Jewish Film Festival, is easily the best film I have seen so far this year.
Read MoreNot all musical retrospectives are a guaranteed success, since time can put rust on many a talent, but Stevie Wonder was ebulliently up for the challenge.
Read MoreEven with its audience-unfriendly head games and confusions, “Post Tenebras Lux” is an imposing spiritual work, and totally original.
Read MoreAntonio Tabucchi’s “travel book” transcends conventional literary forms: his stories occupy an attractive space between fiction and non-fiction, poetry, biography, short story and journalistic travel piece.
Read MoreDavid Allen Sullivan has no combat experience here or abroad, but his verse offers a poignant vision of the sights, sounds, and passions of the Iraq War. Matt Kraunelis replicates the landscapes of his hometown, planting the reader’s feet firmly in the Merrimack Valley.
Read MoreTo look back and forth from “Las Meninas (after Velázquez)” to the mirror that reflects it is to experience, simultaneously, a joy in David Ording’s accomplishment and a longing based in recognition of its source, which is love—of Velázquez, of labor, of painting.
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The nine-part film series focuses on the artist in his studio in Johannesburg. We see William Kentridge as he draws, paints, designs, paces the floor, and thinks out loud — among other things.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
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Visual Arts Commentary: John Singer Sargent — A Particular Sort of Loner