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Vanishing Monuments is painstaking, in the literal sense of that compound word: it took enormous pain to make this book. It’s a novel that, for all its organizational strategies, reads with the immediacy of a memoir.
Read MoreArts Fuse critics select the best in music, film, visual art, theater, author readings, and dance that’s coming up in the next week.
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The filmmaker chose, wisely, to emphasize Tempest Storm’s fortitude and self-determination.
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Katherine Heiny has a particular talent for opening lines: “Your elderly father has mistaken his four-thousand-dollar hearing aid for a cashew and eaten it.”
Read MoreThe history lesson embedded in Bulgarian Rhapsody is subtle yet also packs a wallop.
Read MoreAlthough its interior says 21st century, the Shalin Liu Performance Center has a homespun, American 19th-century facade that made me think of Mark Twain and the provincial opera houses of the California Gold Rush. Care was taken to reference the original Haskins Building that once housed a clothing store called Madras and the local yacht…
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It’s quite clear that the fickle record-buying public really screwed up in the early ’70s; the Beach Boys were on top of their game.
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“They were pieces of shit when we shot ‘em, but later on they became relics.”
Read MoreI’m deeply grateful to Arts Emerson for bringing the Maly Drama Theatre to Boston and hope for more.
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The 20th Annual Francis Davis Jazz Critics Poll: The Institution Continues