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“Ripley” is one of the most entertaining and finely-wrought thriller series to come from Netflix in years.
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The Boy in the Field is the latest novel from Margot Livesey, a prolific writer with a keen eye for the interiority of her characters, a skill that enriches her novels with a rare intimacy and immediacy.
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It’s hard to imagine a Boston, even a New England, film-making and film-going scene without David Kleiler here.
Read MoreSoprano Elizabeth Watts’ voice is as clear as crystal in every musical context and texture.
Read MoreArts Fuse critics select the best in music, film, visual art, theater, author readings, and dance that’s coming up in the next week.
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This Korean novel dramatizes, with indelible force, the utter dehumanization of women confined to authoritarian patriarchal imprisonment.
Read MoreThe magazine’s Roots and World Music critic looks back at a year of live performances: here are the winners and a few losers.
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The filmmaker chose, wisely, to emphasize Tempest Storm’s fortitude and self-determination.
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Vanishing Monuments is painstaking, in the literal sense of that compound word: it took enormous pain to make this book. It’s a novel that, for all its organizational strategies, reads with the immediacy of a memoir.
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