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Stephen Frears balances laughs with a smattering of poignant scenes, a broad, see-sawing approach that will appeal to American audiences.
Read MoreMJQ pianist John Lewis would have loved to have had an orchestra this well rehearsed and recorded so beautifully.
Read MoreThere was nothing sloppy about the band’s searching and probing: the members of Dead & Company were perfectly locked into each other, were enjoying the musical exchanges being made in the moment.
Read MoreThe author’s aim is to render William Blake’s complex vision understandable to novices. It is a lucid effort, though the book presents a disappointingly conventional overview of the artist’s achievement.
Read MoreWith this fun and irreverent staging of Cyrano, GSC Artistic Director Robert Walsh has thrown audiences a delightful curve.
Read MoreIt seems quite fitting for an artist of light to leave a gallery show filled with his distinctive multimedia light art. Memories of John Powell, like his art, will continue to glow, brightly.
Read MoreCompellingly, “Sing Sing” reinforces the belief that art, no matter where it takes place, has the power to heal, educate, and build community.
Read MoreThe three films I selected to start my 2023 Sundance journey were very different from one another, but they shared one common theme: girlhood.
Read MoreMusic Review: “Someone/Anyone? A 50th Anniversary Tribute to Todd Rundgren’s Something/Anything?”
Someone/Anyone? is packed with lots of great music and makes a strong complement to the album it compliments, Something/Anything?
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Visual Arts Commentary: The Shock of the Cute — Too Much of a Cute Thing?
What gives with the overbearing presence of cuteness throughout the world of contemporary visual art?
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