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Jazz groups of eight to eleven often make fascinating and unusual music, but they rarely survive.
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Music by Amy Beach, Leonard Bernstein, Florence Price, John Harbison, and John Williams: this Boston Landmarks Orchestra concert had a little something for everyone.
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The excellent ensemble of Huntington Theatre Company actors, fittingly, work well as a team.
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It is a shame that international film festivals cannot be made accessible to wider audiences, but the trend toward online gatherings, such as the Online French Film Festival, is a good start.
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SpeakEasy Stage Company has (once again) chosen a bold script for its audience.
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This is a very effective political drama, a relevant warning about what social critic Chris Hedges calls the formation of “corporate totalitarianism.”
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No Time to Die could only be a product of the Trump era.
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Theresa Rebeck’s foodie comedy Seared is more of an amiable appetizer than a substantial entree.
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Emily Remler took a particularly clear-eyed view of her work. She didn’t want to be judged by a lesser standard because she was a woman in the overwhelmingly male world of jazz.
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I thought I’d never seen such a thrilling example of how dance and music can combine and feed each other.
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Visual Arts Commentary: John Singer Sargent — A Particular Sort of Loner