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Howl, the film version of the story behind the poem “Howl,” is defeated by its own messy pretensions, faring best when it reflects the unselfconscious spirit of the poet, veering into chaos when it tries to do more than pay homage to its namesake. Reviewed by Dylan Rose. Howl comes off as a mixed bag.…
Read MoreDissolution is a mysterious, and constant, element in Diana Al-Hadid’s vision.
Read More“Bernard Malamud is the great sentence-maker, the great craftsman, and the sheer quality of those sentences has never perhaps been given its complete due.”
Read More“All The Years Combined” is best approached as yet another voice in the ever burgeoning conversation about the evolution of the Grateful Dead.
Read MoreLegendary percussionist Bill Bruford’s recorded output reveals him to be a restless innovator who went from one band to another so he could learn more about his instrument and about himself as a musician.
Read MoreHistorian Katherine Harvey’s well-researched and lively book shows that in the Middle Ages lust had its way. Big time.
Read MoreThe two best things about Simon Rattle’s new recording of Die Walküre are, well, Rattle, himself, and the Bavarian Radio Symphony Orchestra; a strongly played and majestically sung performance of Felix Mendelssohn’s unfairly neglected Die erste Walpurgisnacht.
Read MoreIf you really want a full-on immersion into the halcyon decade that that gave us the Beatles and free love, you simply must watch Aquarius.
Read MoreThis arch-New Englander, descendant of Puritans, is also “the American who resists branding, who will not be commodified.”
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