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The subjects of our critic’s favorite albums of the past year include a dragon, a sex-obsessed priest, Mỹ Lai, and a grand pageant about Jewish history.
Read MoreFrances Wilson’s biography of Thomas De Quincey is superb, written with enormous empathy and insight.
Read MoreDramatist Melinda Lopez’s “Becoming Cuba” holds your attention even after you see just where it is going and why.
Read MoreBrian Blade is not only a skillfully discreet: he can be as powerful as any drummer since Elvin Jones.
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Dramatist Lloyd Suh takes us on an inner journey by weaving silences into his script that encourage his characters (and us) to reflect and pause.
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Roger Clark Miller’s latest solo electric guitar ensemble album showcases him at his best, blending avant-garde experimentation with familiar guitar rock textures.
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Nash Ensemble’s new album captures much of what makes Claude Debussy’s chamber music so fresh and beloved. Orion Weiss’s Arc III is smart, timely programming, dispatched with insight and care.
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“Pepe” is an immense achievement: one of the most formally and politically radical narrative films to turn up on the international festival circuit in 2024.
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Again and again, one encounters vivid glimpses of a man whose passion for music and music-making was immense, and who was gifted at conveying that passion to colleagues and students.
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Ivory is at its best when Omar Apollo fully commits to taking adventures into different sonic spaces.
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