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What is there to say about an album that Rolling Stone ranked #2 in its 2003 list of “The 500 Greatest Albums of All Time”?
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
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Boston’s 15-year-old Guerilla Opera releases a recording of a fresh take on the old Grimm Brothers tale, to haunting, ritualistic music for four singers and four players.
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Thomas Adès is a formidable pianist and his output for his native instrument is fundamentally gripping; yMusic’s new album is a spectacularly-played and -recorded disc; Michael Gordon’s Anonymous Man is undeniably hypnotic but gets stuck in a loop that goes on for a mite too long.
Read MoreFor all the attention it receives and the level of cultural relevance it assumes House of Cards ought to be a much better series than its aggressive promotion makes it out to be.
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A particular guttural sequence of phrases from accordionist Ted Reichman suggested a musical cadence, and I felt myself respond with the jazz fan’s involuntary noise of appreciation: “Unh!”
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At the Pillow, the wonderful Social Tango Project brought the form back to its political and aesthetic origins: it is a dance designed to unify and uplift participants and audiences.
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Along with its oversized fantasy, I’m a Virgo comments on Black bodies, capitalism, and socioeconomic barriers.
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Skylark continues to impress me with its distinctly beautiful sound, its dazzling control over dynamics and intonation, and its unusually compelling programming.
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Arts Remembrance: Farewell, Robin Williams — Manic Master of Comedy
Monday’s news of the death of Robin Williams has hit hard. His brand of irresistible joie de vivre has been indispensable for decades.
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