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As a capella singers, they have taken their musical ministry — and its repertoire of 500 songs — to streets, subway stations, picnics, community clean-ups, and anywhere else they might find an audience who appreciated a musical message.
Read MoreIn this attempt to get at the ‘truth,’ the actors don’t play the roles, the roles play the actors.
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David Lindsay-Abaire’s tightly woven comic script celebrates the everyday relationships that make up an argument for a full life.
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Overall, this is a satisfying production of a turn-of-the-century play that still underlines enduring economic inequity.
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Ferruccio Busoni’s century-old (or -young) Doktor Faust, inspired by Christopher Marlowe and other pre-Goethe sources, offers a fascinatingly hellish ride.
Read MoreAs fiction, “Trieste” is almost entirely a dense tapestry of thinking, remembering, agonizing and raging.
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For me, Sweat hits its riveting stride in its second half, when the pressures of the strike tests the relationships of its working class characters.
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Chasing Rembrandt is a small show, probably quickly assembled to complement the TheaterWorks production. For curious viewers, though, it raises a number of provocative questions.
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Films can transform the way that their subjects are seen, sometimes by just making a subject visible. That was the case with three films which were among the best that I saw at Sundance this year.
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Jazz Commentary: Pee Wee Russell — A Singular Voice
Despite the fact that clarinet (and occasional sax) player Pee Wee Russell was one of the most distinctive voices in jazz history, his name remains unknown outside of infra jazz circles.
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